Music Biz 10144- Page

With her debut LP, Call Me When You Get This, Lauren Ash is set to become every woman’s new sonic girl crush. Within the record’s cage of heartbreak and sharp

With a sound so ethereal it slipped straight into the new wave indie dream pop zeitgeist, the debut single Fortress from Søftbleach marked yet another trajectory of ascent from the

Through some of the darkest reinvented reverberations of boom bap, twisted around contours of Trap-infused Afrobeat, the single 99 (tighter) from cHaKieY’s debut LP ASPEN hits with a force that

If any electro pop track had the anthropomorphic ability to reach out from the airwaves and stroke your hair, it would be Matt Harper’s latest single, Oh No. His approach

If you fused Sam Fender with Elliott Smith, Mumford and Sons and Slowdive, you’d be left with the same paradoxical blister of euphoric heartbreak that bursts in Freebozzy’s latest single,

Big Mo BITW’s soul resounds on a level that many would make a deal with the devil to reach. In his latest single, Te Veo Chama, he delivered a fusionist

As a conjurer of land and era-mark spirits, every release by Oxford-based singer-songwriter Emma Hunter is an evocation of a panorama that distils colour, space and time. Magicians pull rabbits

Katie Elizabeth is fast becoming a voice of unfiltered defiance in pop, channelling her sharp wit and refusal to settle into tracks that brim with empowerment and raw honesty. In

Rick Shaffer stormed through on a hypnotic dark wave with his latest single, Pleasure, a track pulled from his thirteenth solo album, Rites & Stories. He prowls through corridors haunted

In SOLRWAVE’s latest single, Gravitating, the euphoria overshadows the weight of its title. The production pulses with juggernaut strength, locked into a backbeat that drives forward while synth lines spill