Young N’ Loud Magazine Feature In a global music scene that often rewards predictability, Vika moves in the opposite direction. She builds sound from friction, identity from contrast, and songs
Young N’ Loud Magazine Feature In a global music scene that often rewards predictability, Vika moves in the opposite direction. She builds sound from friction, identity from contrast, and songs
Photo Credit: Run-D.M.C. in 1985 by Jeff Pinilla / CC by 3.0 A man has pleaded guilty to his role in the 2002 murder of Run-D.M.C.’s Jam Master Jay. The
Industrial/EBM greats Nitzer Ebb have announced a US tour which will be their first coast-to-coast trek here since the death of Douglas McCarthy last year. Dates begin August 21 in
Photo Credit: Deezer Deezer reports lower revenues and global subscribers in Q1, but its AI-detection tool continues to make it an industry leader in a deal with Hungary-based music rights
Darkwave synth pop got its swagger back in the enigmatic single and debut music video, Dead/Basic by the alt-indie trio, Bushwick Princess, who may not hide their influences, in this
Without much fanfare ahead of its release, YoungBoy Never Broke Again‘s documentary American YoungBoy reportedly earns over $1.1 million in its first week at the box office. According to Box
Gelli Haha is on her first ever headlining tour, supporting her new album Switcheroo (one of our favorites of 2025), and she stopped in Chicago for a pair of shows
(l to r) Avex Music Group CFO Ryan Kamada, CEO Brandon Silverstein, and SVP Spencer LeBoff. Photo Credit: Jeremy Jackson. A year and change after purchasing S10 Music Publishing, Avex
MODISTE injected the intensity back into synth-pop with their sophomore single, Shadows; a strobe-lit spell of longing, hunger, and surrender, which rejects the cloying trend of saccharine etherealism by adopting
Photo Credit: Epic Games via @ShiinaBR (X/Twitter) As D4vd faces murder charges, Fortnite creator Epic Games confirms it will refund D4vd cosmetics for any player who requests it via player
“You could say that I stumbled into distortion when I was 14. Since then, I never let go.” You may associate José González with delicate acoustic guitar arpeggios, but he