While the mainstream is still flooded with rappers more at ease weaponising misogyny than acknowledging how women transform scars into armour, FLOUVA gave hip-hop a necessary inversion with Femme Fatale.
While the mainstream is still flooded with rappers more at ease weaponising misogyny than acknowledging how women transform scars into armour, FLOUVA gave hip-hop a necessary inversion with Femme Fatale.
Posted on 22 August 2025 Take a pop jaunt with Jason Klaire’s latest eccentrically liberated and razor-sharp single, Taking a Piece of
From the opening seconds of Pixels, the sound of a haunted carnival beckons you closer before Megaphoney strikes with lascivious swagger that could only belong to an indie supreme in
After the crescendo-arched gravitas in Teona Zak’s complete reinvention of the piano pop power ballad in Golden Days, the industry should be pacing in anticipation of how she will pour
Canadian folk rock outfit So Dirty the Flamingos make satire feel singable. In this chat, they unpack the spark behind Moving Your Lips to Hallelujah, a cheeky radio earworm that
Almost 30,000 streams in just three weeks have already proved the magnetic hold of The Spikes’ latest single, Dancing (in the Palm of My Hand). With the official video offering
Swanky, vivacious, and luminous with vocal charisma, Shani Weiss has delivered a single that could quite easily sway the world into world peace if her proclamation were given a stage
Rarely does rap lean towards the sonically sublime, yet Ronnie Gotcha and Odeljones find new terrain in hip hop with their single, Ms. Inez. It’s a soulfully scintillating cut that
As haunting as a synthesis of the dark experimentalism of Chelsea Wolfe, Björk’s arcane spirituality, and Angel Olsen’s pensively hollow sonic soul would be, It Doesn’t Matter by Ida Stein
While Ugly Kid Joe left one of the most recognised modern marks on the timeless Cat’s in the Cradle, Randy C Moore has taken the single right back to its roots.