Music Biz 10115- Page

The innocence of youth and how easy joy used to be to conjure sits at the centre of Zarouhi’s latest single, Stolen Joy. The magnetically profound singer-songwriter channels that fragile

If any new artist deserves to reign alongside revered indie icons in the vein of Lorde, London Grammar, Tom Odell and Lucy Dacus, it’s Maisy Grace. On her latest single,

Luusif nestled into the dream house genre with Walking on a Dream, a hit of retrofuturism that places the UK-based producer squarely in the lane of forward-thinking electronica. Already racking

The spectral presence of indie post-punk haunts melodic cascades of post-rock in the latest single, Weight of Guilt by the independent Lisbon-based multi-instrumentalist and composer, Days of Alexander. From the

Averlie explored a parallel pop universe with If You Never Left, a feverishly artful single lifted from her EP, Heart Shapes. The track imagines a reality where she remained tethered to

Take the swagger of Pavement, the kaleidoscopes of polyphonia associated with Grandaddy, the raucously raw guitars of proto-punk, and drift in the postmodernist conviction of post-punk, and you are left

Laments don’t often come in glitchy industrial breakbeat form, but ^L_, the orchestrator behind People Don’t Love You When You Don’t Have Money, one of the seminal cuts from the

Venetia Nadin has mastered the art of conceiving etherealism from disquieted ambience, a quality fully realised in her latest single, Submerged. The Greek-born, Sydney-based electronic artist operates in a sonic

Lincoln’s vocal performance carries a palpable sense of cultural duality. Her delivery holds reverence for heritage while charging forward with contemporary pop urgency. When Lawrence heightens the track with his

Sophie Aston’s ‘Stardust’ is a celestially dreamy Americana-tinged indie pop triumph. For this seminal release, the UK-born, New Zealand-based singer-songwriter pulled together genres with an organically gentle ease, creating a