Music Biz 1015- Page

SAHVVV became the definitive siren of soul with her debut single, Dangerous. After arriving on 13 March, the release introduced an artist with a sharp sense of mood, movement, and

Ilaria Argento put a sensual spell on blues with Last Train Blues, a smoky, hypnotic ticket to unadulterated sonic pleasure. Based in Italy, Argento has steadily built an audience through

ALNUMN proves that when resilience, motivation, and determination need a sonic form, they can carry the full weight of that charge. The latest release, Heavenly Identity (Need To Go), lands

Yurina sink straight into the subconscious with Liquid Gold, a single that pushes infectious grooves in the vein of Arcade Fire into the twisted shadows of post-punk, while instilling the

Las Vegas’ KingMessiaOne is equal parts producer and orchestrator of aural cinema; the standout single, Let the Bass Fuck You Up, from the brand-new LP The Queen of the Fucking

NVIY is set to start a new endemic of desire with her hypnotically cathartic alt-RnB single, INFECTED. Within the release, the quiescence of dream pop tempers the motifs of 8Bit-adjacent

Lucy Crisp has long since perfected the art of instilling alchemic rushes of euphoria into electro-pop earworms. In Snakes and Ladders, the UK breakthrough artist reached her creative zenith by

The powerhouse of an enigma, ØSUBJECT, has launched the anthem that has the potential to necessitate his anonymity; the lead single, I NEED YOU, from the upcoming Filter House LP

Ariel Diaz has returned with his latest single, ‘Might as Well’, an iridescent retro-pop cut that shimmers like a neon-stoked kaleidoscope. Blending the self-aware swagger reminiscent of Alex Cameron with

With all the sequin-spangled glitz of a Vegas showgirl’s dressing room, the seductively salacious swank of a modern cabaret performance at the Moulin Rouge and an undercurrent of electrified pop-rock,