Music Biz 1013- Page

There’s an effortless vitality to When You Leave, the latest single from breakthrough singer-songwriter Alice SK, with hints of Johnny Marr’s fretwork in the angular new wave jangle pop guitars.

Jackson Harrison is one of the few artists who can channel the psychedelic, spiritual warmth of the Beatles without leaning into imitation or pastiche on his latest single, Mr. Melody.

Hannah Lacava tore off the façade in All Out of Pretend, a seminal single that illuminates the darker side of the increasingly lauded strong-single-and-independent archetype. Built on sax-lit lustre and

Tabitha Booth proved long ago that authenticity and originality sit at the core of everything she touches, and in Rock ’n’ Roll Suicide, taken from her LP Sound and Vision:

Ami Leigh proved yet again that there’s no genre she can’t turn her talent to in Wait & See, her discoball-synaesthesia-soaked single. Through vocals carrying the seductive power Madonna held

Esteban Seunarine pulled off something wildly transportive with ECHO-OLOGY featuring Ben Kensok, the kind of single that would still swallow you whole even if you played it in mono through

Lua & the Nightflowers created desert rock cinema with their debut single, Elated, letting the atmosphere sprawl like a fever dream stitched through sand, neon, and dusk. Through cavernous echoes

There is a very specific moment when listening to a track where the body reacts before the brain catches up. A shoulder twitches, a breath pauses, the chest opens, and

stevie invites listeners into the kind of honesty that arrives when life has stripped everything back to its raw foundations. Her EP, I Guess This Is Healing, rose from places

London-based duo Ascension cracked open their EP with Smoke Screens, a title track that glows like a warning flare over a postmodern cityscape. Ascension earned their moniker in the EP