Music Biz 1013- Page

Canadian heavy rock outfit Suicide Star shaped their pressure cooker of an LP, Generation Doom, with the weight of social pressure, isolation, uncertainty, resilience, and the art of staying emotionally

https://music.youtube.com/watch?v=H8HZRU8utz0&si=YodWGwdx010D40L6 Saint Jude ♰ Mark L know exactly how to land a cinematic gut punch; by opening Get Better with a

Nguyen Hong Hai’s scores are made for cinema; his seminal piano work, The Fall Part 1, envelops the sombre world of Ramin Djawadi, the shadowed tones reverberantly synonymous with David

MissHearMeClick, the artistic moniker of independent singer-songwriter and self-produced artist Feona Samson, lets 80s pop and 90s lo-fi rock swell with blockbuster-esque emotion in A Place with No Walls, her

Ïgor unleashed a monster of alt-rap euphoria with Lisboa Na Cabeça, a single that defines the anthemic vivaciousness of his seminal LP, The Curious Case of the Man in the

Jemerine Chan is unrivalled in her ability to take raw reflections of pain and alchemise them into tenderly diaphanous indie folk pop lullabies which drift through the soul as semi-lucid

Liliana de la Rosa sonically visualised the clean girl aesthetic with Glass Skin, an ethereally spectral alt-indie pop single that runs delicate melodies through arcane harmonies while ragefully mourning the

Disarmingly foreboding atmospheres are simmered down to a fine art in IUS’ collection of cinematic instrumental compositions, where the darker spectres of contemporary classical music move through the chameleonic shifts

Latin guitar flourishes, deep grooves of 90s RnB nostalgia, and one of the most distinctively smooth vocal timbres define The One, the latest single from Los Angeles-based independent singer-songwriter, producer,

Michael B Tipton singed beyond the fringes of HonkyTonk Americana with his latest single, Hot Headed Lover; a rootsy allegory of how it feels to surrender yourself to a mercurial