VIRIS VALENTINE plugged her fans into an 8-bit odyssey with Player One, a glitched-out, hyper-pop fever dream soaked in retro-futuristic rebellion. Steering through pixel-burnt synths and basslines that slam with
THOMASG offered a masterclass in tonal delicacy with Beginnings 1983, the latest ambient electronica release from the Burton-on-Trent solo producer. Released after a string of singles and a full-length debut
ALEN HIT dialled up the retro warmth on Love is the Answer (Christmas Version), the sugary, spirit-lifting rework of his coming-album centrepiece. A nod to the old-school crooners but delivered
ANIMAL FEARS come out swinging on Here Fear, a single that treats anxiety as something physical, something you can feel scrape along your ribs. The Berlin-based band take the philosophical
In PostOmnis’ new single, When I See Your Eyes, featuring Evangile, the electronica project of California-based multi-platform creator Seán Graves rips the spine out of traditional romantic balladry and reconstructs
After a quarter of a century hiatus, the Cali-based catalysts of alt-punk melodicism, Course of Ruin, return with Beneath a Burning Sky, the opening track of their new EP, The
Tuning into both Y2K indie nostalgia and the sombreness of Christmas that only the most candid admit to, Makaio Huizar strung his heartstrings into Merry Xmas I Guess, a seasonal
Photo Credit: Dave Weatherall The National Independent Talent Organization (NITO) is urging Senate support for the American Music Fairness Act (AMFA), which would compel AM/FM radio stations to begin coughing
Leiting & Van Kammen dig through the annals of history to parable what still remains in modernity in Oh, the White Death, excavating ancient, immortal corners of the soul and
Nicole Alison channelled conversationally quaint indie pop into Almost Christmas; a track that scratches the whimsical itch while gently abstracting you from the idea that this time of year revolves around
