Music Biz 10132- Page

In The Going Rate’s Road to Nowhere, the galloping guitars rush forward with a momentum, carrying iridescent-with-euphoria horns that flare against the rapturously zealous vocal delivery. There is no separation

In Dominyka Mauliute’s Changes, contemporary activism is enmeshed within the fervour and psychedelia of the 60s, pulling two eras of uprising into the same emotional current. She shows how resistance

In Ami Leigh’s Caught in the Middle, the emotional core comes straight to the surface as she captures how love changes the way you move through the world, from the

Unless you’ve been hiding under a rock or trying to fully commit to the analog lifestyle trend, you’ll have seen the fresh wave of protestive disdain over AI that has

In Kinju’s latest release, Double Life, he explored the contours of duality with a pensively powerful alt-RnB touch. Through crystalline falsetto harmonies, beats that bleed reverberance, and modernised nods to

TC-EP opens For Real by inviting you into a vibe-heavy headspace where introspection and textural scintillation take centre stage. In this saturation-rich mix, it almost feels as though he is

DaniLeigh returns from a two-year silence with Expensive, a release that moves far beyond the idea of a comeback single. There are homecomings where artists rise from personal reckonings revived

It’s rare I get the opportunity to call a pop-punk track haunting, but that’s exactly how Lauren Budd’s debut single, Girls in LA, crawls under your skin. Beyond the bouncy

Warner Music head Robert Kyncl.   Warner Music Group (WMG) has reported a 10% revenue jump – and a 27% net income slip – for Q4 2025 (its fiscal first

Brenique opens Gratitude with the full radiance of someone channelling more than melody. The Christian and Gospel pop singer-songwriter wields the beauty and sublimity of gratitude with a sincerity that