Music Biz 10124- Page

Posted on 1 April 2026 If a folk artist can’t conjure a visceral atmosphere with little more than their vocal cords and

There is a dangerous habit in independent music, and it usually surfaces when ticket sales stall, merch goes untouched, or an album release lands with less impact than expected. Artists

Riyuli lit a fire under art pop with her debut single, I won’t talk back. The piano-led prelude teases a classical piano pop ballad, but riyuli uses her chameleonic talents

The indie-folk warmth of Brooke Hall’s single, Waiting, is a temperature made for fans of Bonny Light Horseman, Hiss Golden Messenger and Big Thief. The indie Americana harmonic drifts are

Methyl Orange has launched a synthwave meditation with Important Things that, if everyone got caught in the tides simultaneously, tomorrow would be a very different day. The Manchester project of

SAHVVV became the definitive siren of soul with her debut single, Dangerous. After arriving on 13 March, the release introduced an artist with a sharp sense of mood, movement, and

Ilaria Argento put a sensual spell on blues with Last Train Blues, a smoky, hypnotic ticket to unadulterated sonic pleasure. Based in Italy, Argento has steadily built an audience through

ALNUMN proves that when resilience, motivation, and determination need a sonic form, they can carry the full weight of that charge. The latest release, Heavenly Identity (Need To Go), lands

Yurina sink straight into the subconscious with Liquid Gold, a single that pushes infectious grooves in the vein of Arcade Fire into the twisted shadows of post-punk, while instilling the

Las Vegas’ KingMessiaOne is equal parts producer and orchestrator of aural cinema; the standout single, Let the Bass Fuck You Up, from the brand-new LP The Queen of the Fucking